Course Listing - by Instructor
Name | Biography |
---|---|
Melanie Atherton | From a young age, I knew that I wanted to be an artist. However, it wasn’t until recently I knew what that meant for me. Born and raised on the south coast of Massachusetts, I received my BFA in Jewelry & Metals (University of Massachusetts Dartmouth) after bouncing around for quite a bit. In the years prior to receiving my BFA, I dabbled in many mediums from industrial design to painting. I also received my MFA in Visual Arts. (Vermont College of Fine Arts) If you would have told me ten years ago that I would become a professional metalsmith, I may have laughed. Both of my parents were metalsmiths having originally met while in school together. Unfortunately, neither are practicing. That’s why it is sort of bizarre that I have landed here. However, I wouldn’t have it any other way. My education as well as my personal experiences have undoubtedly led me to where I am today, and I can’t wait to see where this journey will take me. I look forward to meeting you and helping you on your creative journey as well! |
John Barrett | Learn more about John and his work here: Bladeandwheel.com |
Alondra Biberos | |
Alison Bruun | |
Clay Studio Faculty | |
Tiffany DeFreitas | |
Courtney DiMare | |
Skye Donaldson | |
Rachel Dubicki | |
Paul Dumanoski | Paul Dumanoski studied photography at the Worcester Center for Crafts under Peter Faulkner. The subject for his work is the environment, both natural and man-made. He has exhibited his photographs in juried shows throughout the region and recently won an award in Preservation Worcester's Architectural Images VI. |
Laura Dusty | |
Kate Egnaczak | Kate Egnaczak is a conceptual eco-artist. She grew up on a 68 farm in the Berkshires and brings that experience into her process as a maker. Her hybrid artistic approach practice is at the intersections of design thinking, sculptural methods, and anthropological fieldwork. Centering circularity as a guiding principle, Kate explores the complex interdependence of all life forms and waste. The most prominent example of this body of work is her multi-year durational exploration of the mere ponds of Elm Park in Worcester, MA. In this project, she found and collected trash and other debris from her paddle board. She considers the garbage she finds as treasured art-making materials. The materials are transformed and re-interpreted into sculptures and collages. |
Jon Glabus | |
Peter Grigg | Peter Grigg Education Past work Artist Statement |
Polly Marie Hansel | www.pollyachiart.com |
Nicholas Hesson | Nicholas Hesson is an art educator, jeweler, enamelist, and CAD designer. His work utilizes a combination of digital and hand fabrication processes inspired by the human form and iconography associated with memento mori, beauty, and the human body. After receiving his Associate in Fine Arts from Bucks County Community College he worked there as a 3D Arts Lab Technician maintaining the day-to-day operations of the studio. He simultaneously pursued his Bachelors in Fine Arts as he commuted to Tyler School of Art and Architecture, Temple University where he assisted instructors as a teaching assistant as well as took classes. He received his BFA in Metals/Jewelry/CAD/CAM from Tyler in 2020. In the Spring of 2023, he graduated with his MFA in Metal Design from East Carolina University where he worked as a graduate teaching assistant. He now resides in the New England area where he works as a Silversmith for Tiffany & Co. |
Casey Hickey | |
Jay Kipp-McGowan | |
Brianna Ko | Brianna Ko, a second-year art teacher at Marshfield High School with a BFA from the University of Massachusetts Dartmouth, specializes in metalsmithing. Committed to creating a safe and supportive learning environment, she encourages students to develop skills, techniques, and a lifelong appreciation for learning. In her personal work, Brianna explores nature, light, color, and storytelling through metalsmithing, drawing inspiration from art history. Beyond the classroom, she enjoys hiking, traveling, and engaging in the arts. Brianna looks forward to continuing her artistic and teaching journey, eager to learn from her students. |
Jeanne Kowal | |
Holly Lauer | |
Lori Mader | Lori Mader Education Achievements Artist Statement Exhibitions Online Work Website |
Caterina Maina | |
Carly Manfre | |
Tom O'Malley |
Tom O'Malley began studying ceramics in high school and received his BFA from the New York State College of Ceramics at Alfred University in 1985. He received his MFA, with honors, from the Rhode Island School of Design in 1994. O'Malley has exhibited nationally and internationally, winning numerous awards. He received an LCC Grant in 1998 and his pottery was the recipient of the People's Choice Award at the 2002 Strictly Functional Pottery National. His work has appeared in a number of publications, including Lark Books 500 Tiles, and is slated to appear in the forthcoming publication 21st Century Ceramics. He has taught at RISD, Rhode Island College, Becker College, Worcester State University and the Worcester Center for Crafts, and has presented a variety of workshops and lectures throughout New England. He has been a board member of The Studio Potter since 2005 and currently is the Studio Liaison and Program Director of the Worcester Center for Crafts. View Tom's Latest Work and Profile: Tom O'Malley Ceramics |
Jamie Rhode | |
Tomo Sakai |
Tomo graduated from Tama Art University in Tokyo, Japan, with a specialization in glass, and went on study glass engraving and coldworking in the Czech Republic. She was an artist-in-residence at Worcester Center for Crafts from 2012-2014, and now has her own studio in Worcester. She teaches regularly at the Worcester Center for Crafts, the Massachusetts College of Art and Design, and the Corning Museum of Glass. Website: www.cruzesakai.com
Instagram: @cruzesakai
Education Artist Statement "My journey as an artist has been informed by my experience growing up in Japan - the nexus of a profound, traditional past in co-existence and interaction with an energetic, hyper-modern future. My choice of glass as a medium reflects my experience: it is both rooted in traditional techniques while at the same time projecting a modern materiality. I want to capture this reality in my work, balancing the old and the new, honoring tradition and innovation, exploring past and future." Exhibitions |
Jana Silver | |
Heather Small | |
John Stevens | |
Victoria Taft | |
Beth Woodruff |